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Forests People and Livelihood

Many communities in India remain critically dependent upon forest resources to meet their livelihood requirements. We document some of these dependencies, particularly in the context of restrictive policies that aim to deny these communities access to forests. We have also explored the links between such use of forest resources, the forests themselves and the kinds of products that ultimately make their way to urban centres.

FOLLOWING THE RHYTHMS (33mts)

A Moving Images Production

The Van Gujjars are nomadic pastoralists, who make their living out of rearing buffaloes. They follow an annual migratory cycle between the foothills of Uttaranchal and the high-altitude pastures in the Himalayas. Their nomadic existence is justified by the logic that both, the forests in the foothills and the pastures in the Himalayas, get time to regenerate due to their transhumance. They claim that there is an inherent link between lifestyle and conservation of natural resources because their livelihoods are solely dependent upon forests. 'Following the Rhythms' tries to capture the unique facets of the Van Gujjars' life, their emotional & functional linkages with forests, their prescriptions for protecting the resources that govern their existence and their life patterns that would seem anachronistic to the modern imagination but are suggestive of a symbiotic relationship between man and his surroundings. "Modern" society has however made its demands from the Van Gujjars. Institutions like the Forest Department, which have a mandate of conservation, perceive the Van Gujjars as "negative pressures" on biodiversity. Over the last decade and a half, there have been calls from several quarters for relocating the Van Gujjars outside the forests. The Forest Department boasts of successful relocation efforts at Pathri and Gaindikhatta in Uttaranchal, but the Van Gujjars are critical of this resettlement policy. And not without reason! For long, the Van Gujjars have been demanding citizenship rights & a just resettlement policy that have been denied to them on grounds that they are not part of the "mainstream". Recently, they have successfully initiated several education & health programmes in collaboration with a Dehradun-based NGO, the Rural Litigation and Entitlement Kendra (RLEK).

'Following the Rhythms' is an attempt to document the contours of this debate - between the Forest Department and the Van Gujjars, between scientific and indigenous modes of conservation. It attempts to study the complexities involved in relocation and the role of non-governmental organisations in advocacy and the facilitation of basic services to the Van Gujjars, who, despite having lived here for centuries, are yet to be acknowledged as citizens of India.

Forests for a few…a living for many

Client / Financial Support: DFID, UK

Duration : 48 minutes

Community participation in forest management has been a key part of forest policy, both India and Nepal over the past few decades. There have been numerous reviews of these programmes, yet few have adopted a comparative framework across these two countries. The drivers of change are of course different within each of these two countries, including significant differences in the administrative, political and economic contexts within which such decentralization has occurred. We have recently finished a project exploring the impacts of these differing contexts in Andhra Pradesh, Orissa, West Bengal and Nepal.

Forest Dialogues

Client / Financial Support: Cambridge University in association with Moving Images

Duration : 35 minutes

The Joint Forest Management movement in Harda, in the central Indian state of Madhya Pradesh has been termed as role model internationally. However there have been serious problems between the local communities' adivasis and forest department staff relating to access to natural resources. In the past few years new stakeholders like Mass Tribal Organizations (MTOs) have also emerged in the region with their own agendas and issues. What started as a democratic, participatory approach between the tribal communities and the Forest Department is now in the midst of controversy.

This film documents the successes and failures of the Joint Forest Management experience in Harda. It serves as a platform to provide a comprehensible voice to the views and opinions of academicians, adivasis, MTOs and forest officials of Madhya Pradesh. It highlights the debates and seeks to capture the positive attributes of the Joint Forest Management with the concluding scenes recounting the achievements of an alternative forest management programme in the same region as a viable option.

Tale Of A Forest - a street play by Bharat Gyan Vigyan Samiti, Madhya Pradesh

Duration : 26 minutes

A film documenting the street play put up by BGVS in collaboration with the Cambridge Harda Project. The street play evaluates and analyses the relationship between the government and the adivasis in the context of community-based management of forests. The project has sought to acquire a deeper insight into and convey a closer understanding of how the adivasis perceive the forest and the government.

Pastoral Politics

A film about Gaddi Herders of Himachal Pradesh, India

Duration : 29 minutes
Language : English and Hindi with English sub-titles

Migratory and nomadic pastoralism continues to be practiced in many parts of India, particularly the dry lands of the Indian Thar desert and the high ranges of the Indian Himalaya. Over the past century and a half, these herding communities have had to deal with restrictive policies of various state forest departments, which see their grazing practices as responsible for large scale land degradation. Whether or not this is the case is difficult to tell, in part owing to a lack of evidence for such degradation, but also owing to the difficulties of establishing what constitutes a state of degradation.

Pastoral Politics examines the issue of land degradation in the context of the land use practices of the Gaddi community of Himachal Pradesh. The 'Politics' in the title refers first, to the politics that influence individual herder access to grazing resources, and second, to the politics of land degradation, particularly with regard to who frames the discourse on degradation, which particular lands are identified as being degraded and the cultural stereotypes that have historically informed forest department attribution of degradation to herding communities such as the Gaddi.

The film suggests that despite the depiction of herding as primitive and inefficient, the Gaddi have continued a successful commercial herding tradition, and that some combination of cultivation and herding may in fact be the most productive uses of these mountain lands. The film calls for a rethinking of Indian conservation policies, and the development of policies that are more accommodating of life-styles such as those of the Gaddi.

Devta Activists

Client / Financial Support:PSBT, Prasar Bharti

Duration : 28 minutes

"Devta Activists" is an exploration of the role of traditional deities (Devtas) belonging to the Kullu valley, in the conservation and fight for access to forest resources. It is a study of how local traditions negotiate with contemporary discourses of scientific conservation and national development. By acceding control over natural resources to Devtas, several informal conservation practices of local communities in the Kullu Valley have constituted themselves over time. These practices find their authority threatened today because of the presence of two looming symbols of modernity in the area- the Great Himalayan National Park and the Parvati Hydro-Electric Project; the former representing the scientific principles of exclusionary conservation and the latter that completely demolishes any principles of environmental conservation. The film explores the implications of these "modern" initiatives vis-à-vis local conservation practices while delineating the inner logic of the Devta tradition and its relationship with conservation.

Bountiful Nature

'Bountiful Nature' is a series of films that explore the complexities and beauty of so much that is a part of Indian rural life. In particular the film focuses on unique lifestyles that ultimately result in the production of everyday commodities that all of us use in our own daily lives. Most of us are unaware of either the physical beauty of the locations from which some of these common products come from, or of the complex dynamics that underlie the actual production and processing of these commodities. The films bring a sense of this complexity and wonder to the Indian and international viewer.

Colours Of Nature

Duration : 28 minutes

Colours of Nature documents the age-old techniques in vegetable dying in various parts of the country. Many of these dyes continue to be used in a wide variety of contexts, including in the colouration of butter, in a great deal of cooking, in the cosmetic industry, in the dyeing of clothes that are now ubiquitously used, both within and outside the country. A lot of these colours come from plants, such as the pomegranate rind which gives yellow colour, majith which has a natural pink/red colour, and so on. The katha extract is used in the colouration of lipsticks, while the seed of Anatto (grown in Kerala) is used to colour Amul Butter. The film particularly focuses in western India, where a large variety of communities are engaged in the production of natural dyes.

Something To Chew On

Duration : 24 minutes

Something to chew on is the story of the areca nut or supari as it is more commonly known. All of us have experience of this condiment, yet few of us know of where it comes from, and how it is produced. The film takes the viewer deep into the valleys and forests of the Karnataka Western Ghats, where the areca palm is grown in plantations that are complex composites of many different species of spices. Production of supari today combines the modernity of drip irrigation systems with the antiquity of specialist tree-climbers jumping from one tree to the next, high above the ground, as they harvest the ripe nut. The film is set within the magical context of the Western Ghats - the swirling mist a constant reminder of one's presence in the Indian rainforest.

Himalayan Herbs

Work in Progress

The alpine meadows of the Himalaya, above 13,000 feet in elevation, are home to some of the most diverse plant communities in the world. Over the centuries, local communities have used this diversity of plants for all manner of purposes, including the healing of minor ailments, spices in food preparation, and mushrooms as food. In more recent times, many of these plants have found a market, both nationally and internationally. A large number of these plants are now harvested to meet this demand and many species find their way into myriad pharmaceutical and herbal cosmetic companies around the world. The film proposes to explore this environment in which these plants grow, along with a documentation of the methods used by residents of high altitude villages to find and harvest these herbs. We will then follow the routes that the herbs travel, as they move from alpine meadow to local and regional markets, before reaching export centres in Amritsar and Delhi.

Keepers of Genes

Client / Financial Support:FAO, Rome

Duration:28 minutes

For many parts of rural India, livestock forms the backbone of the economy as 70% rural Indians own livestock. But in recent times curtailed access of traditional pastures and intensification of agricultural use of rural landscapes has interrupted traditional grazing routes, forcing pastoralists to make alternate decisions, sometimes even forcing them to sell their herds.

The film Keepers of Genes charts the difficult times faced by the Indian pastoralists whose animals are being restricted from accessing their traditional grazing areas.

www.pastoralpeoples.org

www.fao.org

 
 
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